The pleasant poetry represents a poetic way to create a pastoral landscape. This skillful change is one of the reasons this poem is so often read aloud. If the nymph would go a-maying with the shepherd, they would have a perfect life. He has done his best, and is awaiting her answer. This 16th Century poem centers around a shepherd painting an idyllic picture of what country life will be like to the woman he loves.
This connotation would have been known to Marlowe's readers. Come live with me and be my love, And we will all the pleasures prove, That valleys, groves, hills, and fields, Woods, or steepy mountain yields. And I will make thee beds of roses And a thousand fragrant posies, A cap of flowers, and a kirtle Embroidered all with leaves of myrtle; A gown made of the finest wool Which from our pretty lambs we pull; Fair lined slippers for the cold, With buckles of the purest gold; A belt of straw and ivy buds, With coral clasps and amber studs: And if these pleasures may thee move, Come live with me, and be my love. Obviously, nature, in the eyes of Marlowe, has much more romance in it than any kind of leisure activity most modern city inhabitants would prefer. The same word and is repeated. And we will sit upon the rocks, Seeing the shepherds feed their flocks, By shallow rivers, to whose falls Melodious birds sing madrigals. This kind of temporary shift of meter makes the poem lighter to read, and, while preserving regularity, lessens any sing-song quality that might occur if too many regular lines appear in sequence.
But could youth last and love still breed, Had joys no date nor age no need, Then these delights my mind might move To live with thee and be thy love. However, the poem contrasts in that there is no assurance that the lady will gain the stipulated items. The critical areas of perception being focused on are the auditory and the visual satisfaction necessary for the sustainability of a relationship. The shepherd swains shall dance and sing For thy delight each May morning; If these delights thy mind may move, Then live with me and be my love. Here's our manifesto on the matter. The idea of nature yielding all of the pleasures of life is an example of the pastoral literary tradition, which idealized the rustic world.
At least, not by Christopher Marlowe. They will eat the finest food from silver plates set on ivory tables. Free love in the grass in impossible now because the world is not in some eternal spring. They are farm laborers for the shepherds. The poet has chosen to utilize this rhyming pattern in an effort to create a sing-song-like melody to the poem.
The next three stanzas are full of material offers. This type of music was popular in Italian and English songs from the 16th and 17th centuries. However, it does so through flowery poetic terms and the artistic tastes of the urban society. The shepherd will also use the wool from their lambs to make her dresses. The information we provided is prepared by means of a special computer program. All this talk of not needing fancy material wealth sounds very earnest, but the speaker isn't consistent throughout the poem. He hopes to return with the nymph to a Edenic life of free love in nature.
Throughout the poem, this new speaker points out that each of the passionate shepherd's promises would decay over time, leading to heartache and loss. There will I make thee beds of roses And a thousand fragrant posies, A cap of flowers, and a kirtle Embroider'd all with leaves of myrtle. The second syllable of most two-syllable words is usually an unstressed one. Realism, which would not come into being as a poetic or literary style for many centuries after Marlowe, has little place in pastoral verse. If read the opposite way from the first line spondaic rather than iambic the meaning of the line changes just enough to create a development of emotion.
Instead of buying her a hat, he'll make her one from flowers. The speaker offers his audience a choice at the end of this stanza using the imperative that he began with. Come live with me and be my , And we will all the pleasures prove That valleys, groves, hills, and fields, Woods, or steepy mountain yields. Use the criteria sheet to understand greatest poems or improve your poetry analysis essay. Other answers should be supported with appropriate reference to the poem. As it is a pastoral poem, its physical setting is the countryside, and its temporal setting is the spring season.
With this reality in mind, the speaker of this poem attempts to counter that by creating a picture of natural wealth and beauty. Good poetry is often many things to different readers, and Marlowe was able to create, within a codified and one might say ossified form of poetry a piece of clever and flexible Elizabethan verse. Nymphs grow old, and shepherds grow cold. Thy silver dishes for thy meat As precious as the gods do eat, Shall on an ivory table be Prepared each day for thee and me. We are already tainted before we enter society. By the end of the piece it is not clear whether or not she accepts his offer, but he seems to understand that it is up to her.
Time does not stand still; winter inevitably follows the spring; therefore, we cannot act on impulses until we have examined the consequences. The final two stanzas paint a picture of a life of luxury. While certainly many of the adornments Marlowe lists would be within the power of a real shepherd to procure or make the slippers, the belt, possibly the bed of roses in season , the cap of flowers, and the many posies, and possibly even the kirtle embroidered with myrtle and the lambs wool gown, but the gold buckles, the coral clasps, and the amber studs would not be easily available to the smallholder or tenant shepherds who actually did the work of sheepherding. There will we sit upon the rocks, And see the shepherds feed their flocks, By shallow rivers to whose falls Melodious birds sing madrigals. The poem is written in very regular iambic tetrameter. The use of this word adds to the edenic or idyllic tone of the poem: down to the animals that these shepherds raise, everything is innocent, gentle, and simple. It may well be the most widely recognized piece that Marlowe ever wrote, despite the popularity of certain of his plays.