Though at first figuring a man with schizophrenia who's talented with a cello isn't worth his time, Lopez soon realizes that he has no better story to write about. Lopez says Ayers is developing a wider circle of friends. This is obvious throughout the middle to later sections of the book where Lopez seriously contemplates the idea of forcing Nathaniel into treatment. I had two key take-aways from reading this book: I have a new appreciation for and interest in classical music, and relationships change our brain chemistry. The emphasis on both characters, not only Nathaniel, is very important, allowing readers to see the deeper relationship and internal growths in both of them. Currently, we do know is whereabouts, which is great.
The defendant's behavior is described, experts testify that he has schizophrenia, but, unfortunately, very little of what is portrayed actually relates to schizophrenia. Also Nathaniel's sister has sent him gift. But it gets pretty tiresome in a long book This book is not a novel, though that is unclear from the cover of my edition. Having heard about this story ahead of time, I knew the general outlines but I enjoyed hearing the whole book quite a bit. That's a story I understand. This is all very entertaining if not indicative of good writing in an actual movie, but not in a book, done repeatedly.
There was a time when mentally ill persons were forcibly hospitalized, forcibly medicated with drugs that dulled them and even forcibly subjected to brain mutilating surgeries and electroshock treatments. Excerpted by permission of Putnam Adult. The portrayal of schizophrenia is indeed poorly done. Following Reinhart through these separate but interwoven plot lines lends a degree of depth to the story that leaves the reader feeling satisfied. Nathaniel, however, is certifiably schizophrenic. Consequently, this book, written by a cellist, teaches about music, composers, Buddhism, mental health and learning to accept oneself.
So I tried; I searched, I went deeper, but I felt like a diver jumping into the deepest part of the ocean without equipment and trying to find a sunken gallon. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher. I enjoyed reading the little side adventures of Lopez as he goes out to find more about Nathaniel and his past. Lopez leaves the meeting thinking that if this mans story checks out it would be an interesting column. It's written with skill and honesty, a great part of its success. Also, another thing you could do to make the reading easier on the reader is to skip another space between each paragraph. There are several tragedies here.
It's the supporting characters that let the film down, not Downey Jr. This book was very interesting and loveable at the same time. Times Building and know where he is. I really thought that the parallels between Renne's musical quest and Phillips Zen training were remarkable. He felt most at peace when playing. He was a very inspired and inspiring musician and songwriter. Once the man had his basic needs taken care of, I can see the value of nurturing his musical talent.
I was intrigued by Nathaniel's story and what happened to him. But when Ayers learns what Lopez is up to, he throws Lopez out of his apartment and threatens to kill him. He treats the sensitive subject of Schizophrenia with caution and respect. Lopez knows he is no angel, and he knows the same about Nathaniel, which is what makes this book real. Unable to handle the voices, Ayers dropped out and ended up on the streets due to the delusion that his sister wanted to kill him. When you think about it, it must be very hard to write about his own life and the struggles he had to overcome with connecting to Nathaniel.
Lopez seems far too surprised by this, despite being a reporter in a culture saturated with references to mental illness. However, again, like in Have You Found Her, as a non-professional he struggles with boundaries. Renne was an interesting narrator; he is removed from society and despite being mid-30s has the voice of a 60-something. County alone there are probably tens of thousands of people who qualify for this special court. And we compare our views with Lopez's and Nathaniel's. I wasn't let down by any means, I was simply hoping for, well, more.
In this story, Steve Lopez, the intrepid journalist, takes us into the life of Nathaniel Ayers, a Julliard musician, and a homeless schizophrenic. There is the possibility of youth vs. And from Steve Lopez's reflection, the brain chemistry effect is not one-directional but both-directional. My first smile was p. Then again, you may be spared, and never need it.
I thought it was wonderful. He encounters Ayers almost outside the Times building, attracted by the beautiful sounds he's producing on a violin with only two strings. The trouble is that Lopez is a journalist, and has been for decades. Ch 27-31 These last few chapters of the novel are quite fascinating. This is the first straight nonfiction book I've read that tells a personal story, and I was pleasantly surprised by its elegant delivery. Ayers's story is a tough one to tell, and Lopez does a good job telling it without romanticizing it or making it overly maudlin.